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"Wanjiru, Sacrificed by Her People" is the title given to a Kikuyu tale of a young woman who is sacrificed by her people to counter a drought. While she slowly sinks under ground, the rains begin to fall. A young warrior who loved her seeks her; when he gets to the place where she sank down, he sinks also, and follows her trail into the underworld.
Wangũ wa Makeri (c. 1856–1915 or 1936 [1] [2]) was a Kikuyu tribal chief, known as a headman, during the British Colonial period in Kenya.She was the only female Kikuyu headman during the period, who later resigned following a scandal in which she engaged in a Kibata dance,this was the ultimate transgression since kibata was never to be danced by women.
Facing Mount Kenya, first published in 1938, is an anthropological study of the Kikuyu people of Central Kenya. It was written by native Kikuyu and future Kenyan president Jomo Kenyatta . Kenyatta writes in this text, "The cultural and historical traditions of the Gikuyu people have been verbally handed down from generation to generation.
Religion and folklore sections in the book recorded the beliefs of the Kikuyu about how they came to be who they were. Numerous photographs and illustrations made a permanent record of Kikuyu people and their customs. A few key members of the Kikuyu tribe were singled out as invaluable to their research.
Mugo wa Kibiru or Chege (Cege) wa Kibiru was a Kenyan sage from the Gikuyu tribe (Kikuyu, in Swahili) who lived in the 18th and early 19th centuries. His name "Mugo" means "a healer". His name "Mugo" means "a healer".
Devil on the Cross is a 1980 Kikuyu language novel (orig. title Caitaani mũtharaba-Inĩ) written and self translated by Kenyan novelist Ngũgĩ wa Thiong'o, which was later republished as part of the influential African Writers Series in 1982. [1]
Kikuyu cinema and film production are a very recent phenomenon among the Agikuyu. They have become popular only in the 21st century. In the 20th century, most of the Agikuyu consumed cinema and film produced in the west. Popular Kikuyu film productions include comedies such as Machang'i series and Kihenjo series.
Instead the parrot tells her to bring out all the hard things so that when the tortoise jumps down its shell is broken. He survives, however, and the broken shell is glued together. This provides the explanation of why the tortoise's shell is so uneven. Much the same story is now claimed by the Swazi people [17] and the Kikuyu.