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Trench art is any decorative item made by soldiers, prisoners of war, or civilians [citation needed] where the manufacture is directly linked to armed conflict or its consequences. It offers an insight not only to their feelings and emotions about the war, but also their surroundings and the materials they had available to them. [ 1 ]
The Trench (German: Der Schützengraben), but earlier known as The War Picture or simply Der Krieg ("The War"), was an oil painting by the German artist Otto Dix.The large painting was made from 1920 to 1923, and was one of the several anti-war works by Dix in the 1920s, inspired by his experience of trench warfare in the First World War.
Cultivator No. 6 was the code name of a military trench-digging machine developed by the British Royal Navy at the beginning of World War II.The machine was originally known as White Rabbit Number Six; this code name was never officially recognised, but it was said to be derived from Churchill's metaphorical ability to pull ideas out of a hat.
In 1941, the Navy Combat Art Program was founded in order to ensure that competent artists would be present at the scene of history-making events. Eight active duty artists developed a record of all phases of World War II; and all major naval operations have been depicted by Navy artists.
The anti-war art that Dix created after 1920 was inspired by his horrific experiences in the trenches. Before this triptych, he completed his large anti-war painting The Trench in 1923, which caused great controversy when first exhibited, and he published a portfolio of fifty prints also entitled Der Krieg in 1924.
The return of mobile warfare in World War II reduced the emphasis of trench warfare, as defenders commonly lacked the time to build up such battlefield defences before they were forced to redeploy, due to the more rapidly-changing strategic situation. But trench systems were still effective, wherever mobility was limited, the front lines were ...
The Battle of Hürtgen Forest (German: Schlacht im Hürtgenwald) was a series of battles fought from 19 September to 16 December 1944, between American and German forces on the Western Front during World War II, in the Hürtgen Forest, a 140 km 2 (54 sq mi) area about 5 km (3.1 mi) east of the Belgian–German border. [1]
Lost artworks are original pieces of art that credible sources or material evidence indicate once existed but that cannot be accounted for in museums or private collections, as well as works known to have been destroyed deliberately or accidentally or neglected through ignorance and lack of connoisseurship.