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A tableau vivant (French: [tablo vivɑ̃]; often shortened to tableau; pl. tableaux vivants; French for 'living picture') is a static scene containing one or more actors or models. They are stationary and silent, usually in costume, carefully posed, with props and/or scenery, and may be theatrically illuminated.
The Windmill Theatre in Great Windmill Street, London, was a variety and revue theatre best known for its nude tableaux vivants, which began in 1932 and lasted until its reversion to a cinema in 1964. Many prominent British comedians of the post-war years started their careers at the theatre.
After an aerial pile driver which is constructing a mosaic of teeth and a huge glass diamond filled with water in which float a dancing girl, a hairless cat named Khóng-dek-lèn, and the preserved head of Danton, we come to the central and longest passage: a description of eight curious tableaux vivants taking place inside an enormous glass ...
The tableau vivant, or group of living statues, was a regular feature of medieval and Renaissance festivities and pageantry, such as royal entries by rulers into cities. Typically a group enacting a scene would be mounted on an elaborate stand decorated to look like a monument, placed on the route of the procession.
The Pageant of the Masters is an annual festival held by the Festival of Arts in Laguna Beach, California, United States.. The event is known for its tableaux vivants or "living pictures" in which classical and contemporary works of art are recreated by real people who are made to look nearly identical to the originals through the clever application of costumes, makeup, headdresses, lighting ...
The collector takes advantage of the tableaux vivants as a medium to experience aspects of the paintings that could only be materialized in three dimensions. He can then walk around each tableau, adjust lighting, move actors to different positions, and construct narratives intertextually between the tableaux.
The "tableaux vivants" used in the revues were designed by Ben Ali Haggin from 1917 to 1925. Joseph Urban was the scenic designer for the Follies shows, starting in 1915, [4] and Edward Royce directed the Follies in 1920 and 1921, in addition to several other Ziegfeld productions. [5]
Under the leadership of Henderson, as owner, and van Damm as manager, the theatre became a British institution, famed for its pioneering tableaux vivants of motionless female nudity, and for having "never closed" during the Blitz. [2] At the time of her death in 1944, newspapers described her as "the mother of non-stop variety in London." [3 ...