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St. Cecilia Mass is the common name of a solemn mass in G major by Charles Gounod, composed in 1855 and scored for three soloists, mixed choir, orchestra and organ. The official name is Messe solennelle en l’honneur de Sainte-Cécile, in homage of St. Cecilia, the patron saint of music. The work was assigned CG 56 in the catalogue of the ...
St. Cecilia 18 Belvidere St, Boston : Founded in 1888, current church dedicated in 1894 [28] St. Clement Eucharistic Shrine: 1105 Boylston St, (Boston Fenway–Kenmore) Church constructed in 1923, dedicated as a Catholic chapel in 1935 [29] St. Columbkille 321 Market St, Boston : Founded in 1871, current church dedicated in 1880 [30]
Her feast day became an occasion for musical concerts and festivals that occasioned well-known poems by John Dryden and Alexander Pope [16] and music by Henry Purcell (Ode to St. Cecilia); 3 different oratorios by Marc-Antoine Charpentier, Caecilia virgo et martyr octo vocibus H.397, for soloists, double Chorus, double string orchestra and bc ...
In addition to the mass, still in 1720, Scarlatti composed almost as long (40 min.) vespers, discovered more recently, both scores being intended for the Santa Cecilia in Trastevere church. In 1708, he had composed Il Martirio di Santa Cecilia, inspired by the same figure, Santa Cecilia in Trastevere, patron saint of musicians.
From St. Peter's Basilica to St. Patrick's Cathedral, ring in Christmas by watching these iconic masses. ... you can stream it on the Vatican Youtube Channel. The Mass begins Dec. 24, at 1:30 p.m ...
The Boston Cecilia is a choral society in Boston, Massachusetts. Founded in 1876, the ensemble has enjoyed historic relationships with the Boston Symphony Orchestra and famous conductors and composers, such as Arthur Fiedler , Igor Stravinsky , and Antonín Dvořák . [ 1 ]
Church of St Cecilia may refer to: England. St Cecilia's Church, Girton; Italy. Santa Cecilia in Trastevere; Malta. Santa ...
Brady's poem was derived from John Dryden's "A Song for St Cecilia's Day" of 1687. Following Dryden, Brady extols the birth and personality of musical instruments, including the idea that Cecilia invented the organ (see note 1). Purcell responds to the text by giving emphasis to the colours and dramatic possibilities of the baroque orchestra.