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The distinction between literal and figurative language exists in all natural languages; the phenomenon is studied within certain areas of language analysis, in particular stylistics, rhetoric, and semantics. Literal language is the usage of words exactly according to their direct, straightforward, or conventionally accepted meanings: their ...
The formal elements, those aesthetic effects created by design, upon which figurative art is dependent, include line, shape, color, light and dark, mass, volume, texture, and perspective, [2] although these elements of design could also play a role in creating other types of imagery—for instance abstract, or non-representational or non-objective two-dimensional artwork.
Imagery is visual symbolism, or figurative language that evokes a mental image or other kinds of sense impressions, especially in a literary work, but also in other activities such as. Imagery in literature can also be instrumental in conveying tone. [1]
Languages of Art: An Approach to a Theory of Symbols is a book by the American philosopher Nelson Goodman. It is a work of 20th century aesthetics in the analytic tradition. Originally published in 1968, it was revised in 1976. Goodman continued to refine and update these theories in essay form for the rest of his career.
Subject matter ranges from portraits, figurative art, still life, landscapes, cityscapes and narrative scenes. The more recent hyperrealist style is much more literal than photorealism as to exact pictorial detail with an emphasis on social, cultural or political themes.
Academic art – Style of painting and sculpture; Anthropic units – Academic term in archaeology, social studies and measurement; Beauty – Characteristic that provides pleasure or satisfaction; Canon (basic principle), a rule or a body of rules or principles generally established as valid and fundamental in a field of art or philosophy
Here he knew contemporary art innovators such as Filippo Brunelleschi, Donatello and Masaccio, with whom he shared an interest for Renaissance humanism and classical art. Alberti was the first post-classical writer to produce a work of art theory , as opposed to works about the function of religious art or art techniques, and reflected the ...
Saussure argues that if words or sounds were simply labels for existing things in the world, translation from one language or culture to another would be easy, it is the fact that this can be extremely difficult that suggests that words trigger a representation of an object or thought depending on the person that is representing the signifier. [32]