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  2. Odigba - Wikipedia

    en.wikipedia.org/wiki/Odigba

    An Odigba is not a single string of beads, but the collection of individual necklaces bound and held together into a larger piece of collar. It might also come made with a long hanging pouch, bag or bags also made from beads or beautifully embroidered leather which would hang as a sash or baldric belt across one or both (opposite) sides of the torso/hip of the wearer to form a double cross ...

  3. Jewish ceremonial art - Wikipedia

    en.wikipedia.org/wiki/Jewish_ceremonial_art

    Mezuzah Silver Shabbat candlesticks Silver handwashing cup. Jewish ceremonial art is objects used by Jews for ritual purposes. Because enhancing a mitzvah by performing it with an especially beautiful object is considered a praiseworthy way of honoring God's commandments, Judaism has a long tradition of commissioning ritual objects from craftsmen and artists.

  4. Wood Badge - Wikipedia

    en.wikipedia.org/wiki/Wood_Badge

    Early Wood Badge beads came from a necklace that Baden-Powell claimed to have taken from a deserted Zulu mountain stronghold while on a failed military campaign to capture Dinizulu in Zululand (now part of South Africa). [1] [2] [3] Such necklaces of beads made from acacia, known as iziQu in Zulu, were presented to brave warrior leaders. [4]

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    The search engine that helps you find exactly what you're looking for. Find the most relevant information, video, images, and answers from all across the Web.

  6. Ofuda - Wikipedia

    en.wikipedia.org/wiki/Ofuda

    In Shinto and Buddhism in Japan, an ofuda (お札/御札, honorific form of fuda, ' slip [of paper], card, plate ') or gofu (護符) is a talisman made out of various materials such as paper, wood, cloth or metal.

  7. Blackamoor (decorative arts) - Wikipedia

    en.wikipedia.org/wiki/Blackamoor_(decorative_arts)

    Pair of Italian figures in painted wood, 18th century "Moor with Emerald Cluster" by Balthasar Permoser in the collection of the Grünes Gewölbe. Blackamoor is a type of figure and visual trope in European decorative art, typically found in works from the Early Modern period, depicting a man of sub-Saharan African descent, usually in clothing that suggests high status.