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Hull's product line expanded to include piggy banks, liquor bottles, and lamps. [1] The company's Floristware line was one of Hull Pottery's most successful lines. From the 1940s through the 1960s, a plant or flower bouquet delivered from a florist was often contained in a Hull pot or figural planter.
Latticework may be functional – for example, to allow airflow to or through an area; structural, as a truss in a lattice girder; [2] used to add privacy, as through a lattice screen; purely decorative; or some combination of these. Latticework in stone or wood from the classical period is also called Roman lattice or transenna (plural transenne).
The Abd al-Wadids had expertise in Islamic architecture, leaving behind them structures characterized by their distinct incorporation of local zellij and ceramic decorations. [14] One example is the Mosque of Sidi Bel Hassan. Considered as one of the well preserved structures from the Zayyanid architecture, it was adorned with exquisite ...
Wattle and daub is a composite building method used for making walls and buildings, in which a woven lattice of wooden strips called "wattle" is "daubed" with a sticky material usually made of some combination of wet soil, clay, sand, and straw. Wattle and daub has been used for at least 6,000 years and is still an important construction method ...
In woodwork, especially in the Safavid period, it could be applied either as lattice frames, left plain or inset with panels such as of coloured glass; or as mosaic panels used to decorate walls and ceilings, whether sacred or secular. In architecture, girih forms decorative interlaced strapwork surfaces from the 15th century to the 20th century.
Most of the minerals were available from local supplies, like iron-oxide pigments (red ochre, yellow ochre, and umber); white derived from the calcium carbonate found in Egypt's extensive limestone hills; and blue and green from azurite and malachite. Besides their decorative effect, colours were also used for their symbolic associations.
As used in Moorish and Arabic decorative art (from which, almost exclusively, it was known in the Middle Ages), representations of living creatures were excluded; but in the arabesques of Raphael, founded on the ancient Græco-Roman work of this kind, and in those of Renaissance decoration, human and animal figures, both natural and grotesque ...
Most traditional ceramic products were made from clay (or clay mixed with other materials), shaped and subjected to heat, and tableware and decorative ceramics are generally still made this way. In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat.
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