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Les nuits d'été (Summer Nights), Op. 7, is a song cycle by the French composer Hector Berlioz. It is a setting of six poems by Théophile Gautier . The cycle, completed in 1841, was originally for soloist and piano accompaniment.
The six songs of Berlioz's Les nuits d'été (1841), first published with piano accompaniment but later orchestrated, is a notable early example of the French song cycle. [14] French cycles reached a pinnacle in Fauré's La bonne chanson (Verlaine) of the early 1890s, La chanson d'Ève, premiered complete in 1910, and L'horizon chimérique (1921).
part of Les nuits d’été 83 Le spectre de la rose: part of Les nuits d’été 84 Sur les lagunes, lamento part of Les nuits d’été 85 Absence: part of Les nuits d’été 86 Au cimetière, clair de lune part of Les nuits d’été 87 L’ile inconnue: part of Les nuits d’été 88 8 Rêverie et caprice , romance 1841 1 February 1842
Les nuits d'été (Summer Nights), Op. 7, is a song cycle by the French composer Hector Berlioz, setting six poems by Théophile Gautier. The cycle, completed in 1841, was originally for soloist and piano accompaniment. Berlioz orchestrated one of the songs in 1843 and did the same for the other five in 1856.
Summer Nights (French: Les nuits d'été) is a French drama film, directed by Mario Fanfani and released in 2014. [1] The film stars Guillaume de Tonquédec as Michel, a married man who has a secret life as a cross-dresser who goes by the drag name Mylène.
Les Jeunes-France ("The Jeunes-France: Tales Told with Tongue in Cheek"), published in 1833, was a satire of Romanticism. In 1831, the newspaper Le Figaro featured a number of works by the young generation of Romantic artists and published them in the Jeunes-France .
The album was recorded digitally in the Symphony Hall, Boston. Berlioz's Les nuits d'été was recorded on 17 October 1983, following a live performance of the work in Symphony Hall on 15 October 1983. [1] [3] Debussy's La damoiselle élue was recorded on 10 October 1983, following live performances of the work in Symphony Hall on 7 and 8 ...
In 1926–1932 a lavishly decorated 12-volume edition of J. C. Mardrus' translation, titled Le livre des mille nuits et une nuit, appeared.Soviet and Russian scholar Isaak Filshtinsky, however, considered Mardrus' translation inferior to others due to presence of chunks of text, which Mardrus conceived himself to satisfy the tastes of his time. [8]