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A tadpole person [1] [2] [3] or headfooter [4] [5] is a simplistic representation of a human being as a figure without a torso, with arms and legs attached to the head. Tadpole people appear in young children's drawings before they learn to draw torsos and move on to more realistic depictions such as stick figures .
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Shakespeare scholars describe unicorns being captured by a hunter standing in front of a tree, the unicorn goaded into charging; the hunter would step aside the last moment and the unicorn would embed its horn deeply into the tree (See annotations [30] of Timon of Athens, Act 4, scene 3, c. line 341: "wert thou the unicorn, pride and wrath ...
Hurtz chose The Unicorn in the Garden "because it featured human characters", and UPA was trying to "avoid the animal subjects" that were prevalent in Hollywood cartoons at the time. In order to be faithful to Thurber's "crude line-drawing style", Hurtz studied Thurber's work, remarking that "using color bothered me at first, but I thought if ...
A winged unicorn (cerapter, flying unicorn, unisus, or unipeg) is a fictional ungulate, typically portrayed as a horse, with wings like a pegasus and the horn of a unicorn. [1] In some literature and media, it has been referred to as an alicorn , a word derived from the Italian word alicorno , [ 2 ] or as a pegacorn , a portmanteau of pegasus ...
My Secret Unicorn is a series of children's books written by Linda Chapman. The series was first published between 2002 and 2007. The series was first published between 2002 and 2007. The books feature the adventures of Lauren and her unicorn , Twilight, and their friends. [ 1 ]
"The Unicorn in the Garden" is a short story written by James Thurber. One of the most famous of Thurber's humorous modern fables , it first appeared in The New Yorker on October 21, 1939; and was first collected in his book Fables for Our Time and Famous Poems Illustrated (Harper and Brothers, 1940 ).
The Unicorns is an 1880s oil-on-canvas painting by Gustave Moreau, now in the Musée national Gustave Moreau. [1]It is freely inspired by The Lady and the Unicorn tapestries in the musée de Cluny [2] Moreau spoke of the painting and its subject as "an enchanted island with a gathering of women, solely of women giving the most precious pretext for all patterns of plastic art".