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The orchestra then enters with the same theme, in B major, the major mediant key, which is in a chromatic mediant relationship to the tonic. Thus enters the first theme. [8] The orchestra states the main theme in B major, dropping through the circle of fifths to a cadence in the tonic, G major.
The movement, with its "unmatched intimacy and loveliness," is followed by a "high-spirited" monothematic sonata-rondo. [4] The last movement, perhaps the most Haydnesque of all three movements, closely follows the galloping patterns and embellishments used by C. P. E. Bach in his music.
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In Baroque music, G major was regarded as the "key of benediction". [1] Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of 6 8 chain rhythms", according to Alfred Einstein, [2] although Bach also used the key for some 4
Violin Concerto No. 3 in G major, K. 216, Strassburg (1775) Violin Concerto No. 4 in D major, K. 218 (1775) Violin Concerto No. 5 in A major, K. 219, Turkish (1775), with alternative Adagio in E, K. 261 (added 1776) Violin Concerto No. 6 in E-flat major, K. 268 (Attributed to Johann Friedrich Eck, 1780–81)
Violin Concerto in G major may refer to: Violin Concerto No. 4 (Haydn) Violin Concerto No. 3 (Mozart) Violin Concerto (Rubinstein) This page was last edited on 26 ...
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