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A nightcore (also known as sped-up song, sped-up version, sped-up remix, or, simply, sped-up edit) is a version of a music track that increases the pitch and speeds up its source material by approximately 35%. This gives an effect identical to playing a 33⅓-RPM vinyl record at 45 RPM.
Pitch scaling is the opposite: the process of changing the pitch without affecting the speed. Pitch shift is pitch scaling implemented in an effects unit and intended for live performance. Pitch control is a simpler process which affects pitch and speed simultaneously by slowing down or speeding up a recording.
Speed garage features sped-up NY garage 4-to-the-floor rhythms that are combined with breakbeats. [3] Snares are placed as over the 2nd and the 4th kickdrums, so in other places of the drum pattern. [4] Speed garage tunes have warped, heavy basslines, influenced by jungle [5] and reggae. [6] Sweeping bass is typical for speed garage. [7]
The Beatles first used samples of other music on "Yellow Submarine", the samples being added on 1 June 1966. The brass band solo was constructed from a Sousa march by George Martin and Geoff Emerick, the original solo was in the same key and was transferred to tape, cut into small segments and re-arranged to form a brief solo which was added to ...
The soundtrack was a huge success, peaking at 5 on the Billboard 200 and 2 on the Top R&B/Hip-Hop Albums, and spawned the number 1 single "How Deep Is Your Love". The soundtrack was certified Gold by the Recording Industry Association of America on October 15, 1998, and platinum on January 21, 1999.
Speedcore is a form of electronic music that is characterized by a high tempo and aggressive themes. [1] It was created in the early to mid-1990s and the name originates from the hardcore genre as well as the high tempo used. Songs are usually classified as speedcore at around 300+ beats per minute (BPM), but this can vary. [3]
Because the loop was about 30 feet long, it was fed out to a 7” plastic reel for ballast which was hung over the arm of a microphone stand before the loop of tape returned to the take-up reel. This same loop was later used by the Bee Gees for the song “More than a Woman” also from the Saturday Night Fever soundtrack. That same loop was ...
Commonly sampled elements include strings, basslines, drum loops, vocal hooks or entire bars of music, especially from soul records. [40] Samples may be layered, [41] equalized, [41] sped up or slowed down, repitched, looped or otherwise manipulated. [14]