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The book had an important influence upon other poets, mostly French, including Charles Baudelaire, through whom the importance of the work came to be recognized.The most famous tribute was the Suite, Gaspard de la Nuit: Trois poèmes pour piano d'après Aloysius Bertrand, of three piano pieces by Maurice Ravel based on three items, namely 'Ondine', 'Scarbo' and 'Le Gibet'.
Bertrand, Aloysius (1807-1841). Gaspard de la nuit : fantaisies à la manière de Rembrandt et de Callot / par Aloysius Bertrand. 1920. Software used: Bibliothèque nationale de France: Conversion program: iText 1.4.8 (by lowagie.com) Encrypted: no: Version of PDF format: 1.4: Page size: 1024 x 1483 pts; 1024 x 1453 pts
Gaspard de la nuit (subtitled Trois poèmes pour piano d'après Aloysius Bertrand), M. 55 is a suite of piano pieces by Maurice Ravel, written in 1908.It has three movements, each based on a poem or fantaisie from the collection Gaspard de la Nuit – Fantaisies à la manière de Rembrandt et de Callot completed in 1836 by Aloysius Bertrand.
René Magritte named one of his paintings “Gaspard de la nuit”, as it was inspired by the poem “Le Maçon”. Maurice Ravel wrote three piano solos on themes from “Gaspard de la nuit”, which is considered one of the most difficult pieces of the entire piano repertoire. Since 1922, there has been an Aloysius Bertrand street in Dijon.
At the time of the prose poem's establishment as a form, French poetry was dominated by the alexandrine, a strict and demanding form that poets starting with Maurice de Guérin (whose "Le Centaure" and "La Bacchante" remain arguably the most powerful prose poems ever written [according to whom?]) and Aloysius Bertrand (in Gaspard de la nuit ...
Baudelaire mentions he had read Aloysius Bertrand's Gaspard de la nuit (considered the first example of prose poetry) at least twenty times before starting this work. Though inspired by Bertrand, Baudelaire's prose poems were based on Parisian contemporary life instead of the medieval background which Bertrand employed.
As printing-out paper weren't available anymore at that time Christian Schad had to switch from the sun to the dark room creating the replikas on developing paper. He realized numerous of these late Schadographs among other for an album in 1978 dedicated to Aloysius Bertrand's poetical prose Gaspard de la Nuit. [20]
Other examples include an 1868 edition of Aloysius Bertrand's prose-poem collection Gaspard de la Nuit, illustrated with watercolors by Louis Émile Benassit and Lucien Pillot for Henri Breuil, a Dijon chocolatier, now in the collection of the Bibliothèque patrimoniale et d’étude de Dijon, [9] and a copy of the Paul Meurice 1886 French ...