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A more famous example from around the same time is the third movement of Ludwig van Beethoven's String Quartet No. 15 in A minor, Op. 132 (1825), titled by the composer "Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart" ("Holy Song of Thanksgiving by a Convalescent to the Divinity, in the Lydian Mode"). [6]
The Ionian mode corresponds to the major scale. Scales in the Lydian mode are major scales with an augmented fourth. The Mixolydian mode corresponds to the major scale with a minor seventh. The Aeolian mode is identical to the natural minor scale. The Dorian mode corresponds to the natural minor scale with a major sixth.
Song Artist(s) Wks. Year(s) Ref. "Ganz Paris träumt von der Liebe" Caterina Valente and Kurt Edelhagen: 21 1955 [1] "Heimweh" Freddy Quinn 1956 "Cindy, Oh Cindy" Margot Eskens: 1957 "All I Want for Christmas Is You" Mariah Carey: 2019–2024 "Die Gitarre und das Meer" Freddy Quinn 17 1959 "Rivers of Babylon" Boney M. 1978 [2] "Despacito"
"The Ketchup Song (Aserejé)" 2 Shakira Colombia "Whenever, Wherever" 3 Herbert Grönemeyer Germany "Mensch" 4 Eminem United States "Without Me" 5 Las Kanzler/Die Gerd-Show Germany "Der Steuersong" 6 Ben featuring Gim Germany "Engel" 7 Tiziano Ferro Italy "Perdono" 8 Shakira Colombia "Underneath Your Clothes" 9 B3 United States "I.O.I.O." 10
"The Ketchup Song" Las Ketchup: 2× Platinum: 1 million 2002 "All the Things She Said" t.A.T.u. 2× Platinum ‡ 1 million [51] 2012 "Lila Wolken" Marteria, Yasha & Miss Platnum: Diamond ‡ 1 million 2013 "Atemlos durch die Nacht" Helene Fischer: Diamond ‡ 1 million [52] 2013 "Take Me to Church" Hozier: Diamond ‡ 1 million [53] 2013 ...
Pages in category "Songs in German" The following 169 pages are in this category, out of 169 total. This list may not reflect recent changes. 0–9. 99 Luftballons;
"Pretty Ballerina" is a song written by pianist Michael Brown that was released as a single by his band The Left Banke in December 1966. [5] It peaked at number 15 on the Billboard Hot 100 chart and number 4 on the Canadian RPM chart.
The original work of 18 July 1879, a 69-bar gradual, is scored in Lydian mode for choir a cappella. On two occasions (bars 9–13 and 51–56) the choir is divided into eight voices. The second part on "Et lingua ejus" (bars 16–42) is a fugato without any alteration. [13]