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Dumble, however, was not interested in selling amplifiers in greater numbers, but focused solely on getting the best possible sound. Building to order only (even building his own speaker cabinets by hand), his amps gained a positive reputation and became highly sought after by professional musicians. Dumble became known as a tube electronics ...
Feedback appeared in his 1943 Wartime Quality Amplifier, built around American 6V6 beam tetrodes; however, both the input stage and the output transformer were placed outside the feedback loop. [14] Cocking's Quality Amplifier family became the foundation of post-war British and Australian audio industry, including the Williamson amplifier. [6]
Further development led to the JCM800 series in 1981, which was widely adopted by the hard rock and metal community, while the brand celebrated its 25 years of making amps by releasing the Silver Jubiliee in 1987. Marshall updated the JCM lineup in the 1990s (JCM900) and 2000s (JCM2000) and developed new amp lines, like the DSL and JVM models.
Enclosures designed for use in PA systems, sound reinforcement systems and for use by electric musical instrument players (e.g., bass amp cabinets) have a number of features to make them easier to transport, such as carrying handles on the top or sides, metal or plastic corner protectors, and metal grilles to protect the speakers.
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In 1960, Ampeg introduced the B-15, a bass combo amplifier with an innovative flip-top function, invented and patented by Oliver. The B-15 was the first in the company's Portaflex series, and after becoming the preferred studio amp of session musicians like James Jamerson and Chuck Rainey. The B-15 and its subsequent variants went on to become ...