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Gladius (Classical Latin: [ˈɡɫadiʊs]) is a Latin word properly referring to the type of sword that was used by ancient Roman foot soldiers starting from the 3rd century BC and until the 3rd century AD. Linguistically, within Latin, the word also came to mean "sword", regardless of the type used.
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 16 January 2025. An overview of common terms used when describing manga/anime related medium. Part of a series on Anime and manga Anime History Voice acting Companies Studios Original video animation Original net animation Fansub Fandub Lists Longest series Longest franchises Manga History Publishers ...
Japanese literature throughout most of its history has been influenced by cultural contact with neighboring Asian literatures, most notably China and its literature. Early texts were often written in pure Classical Chinese or lit.
Rekishi monogatari (歴史物語) is a category of Japanese literature defined as extended prose narrative. Structurally, the name is composed of the Japanese words rekishi (歴史), meaning history, and monogatari (物語), meaning tale or narrative. Because of this it is commonly translated as ‘historical tale’.
Monogatari (Japanese: 物語, [monoɡaꜜtaɾi]) is a literary form in traditional Japanese literature – an extended prose narrative tale comparable to epic literature. Monogatari is closely tied to aspects of the oral tradition, and almost always relates a fictional or fictionalized story, even when retelling a historical event.
The Man'yōshū is widely regarded as being a particularly unique Japanese work, though its poems and passages did not differ starkly from its contemporaneous (for Yakamochi's time) scholarly standard of Chinese literature and poetics; many entries of the Man'yōshū have a continental tone, earlier poems having Confucian or Taoist themes and ...
Drawing heavily from Shinto and Japan's ancient literature, the school looked back to a golden age of culture and society. They drew upon ancient Japanese poetry , predating the rise of medieval Japan 's feudal orders in the mid-twelfth century, and other cultural achievements to show the emotion of Japan.