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Anglican chant, also known as English chant, [1] [2] is a way to sing unmetrical texts, including psalms and canticles from the Bible, by matching the natural speech-rhythm of the words to the notes of a simple harmonized melody. [3]
The words of several hymns have been altered slightly, although it nonetheless enjoys continuing favour in a considerable number of cathedrals and collegiate chapels worldwide and it is a significant publication in Anglican church music. Its extensive provision of hymns for saints' days and mid-week religious festivals has proved popular with ...
The Anglican church did not exist as such, but the foundations of Anglican music were laid with music from the Catholic liturgy. The earliest surviving examples of European polyphony are found in the Winchester Tropers , a manuscript collection of liturgical choral music used at Winchester Cathedral , dating from the early-eleventh to mid ...
The preface to the hymnal describes itself as "a collection of the best hymns in the English language." [2] Much of the contents was used for the first time at St Mary's, Primrose Hill, in north London [3] [4] and the hymnbook could be considered a musical companion to The Parson's Handbook, Dearmer's 1899 manifesto on English church ceremonial, vestments and furnishings.
The Divine Worship: Daily Office is the series of approved liturgical books of the Anglican Use Divine Offices for the personal ordinariates in the Catholic Church. Derived from multiple Anglican and Catholic sources, the Divine Worship: Daily Office replaces prior Anglican Use versions of the Liturgy of the Hours and the Anglican daily office.
The society was an important step for the growing late 19th-century interest in singing Gregorian chant in the vernacular. [10] It was thus influential in encouraging the development of Anglican chant. [4] Since 27 August 1987, the PMMS has been a registered charity with the Charity Commission for England and Wales; its charity number is 297147 ...
Evensong was initially sung entirely to plainsong.Musicians gradually created polyphonic settings of its music, especially of the Magnificat. [6]The first musical setting of the Book of Common Prayer, by John Marbeck, provided a simplified version of traditional chant settings. [7]
The sung Anglican Daily Office has also generated its own tradition in psalm-singing called Anglican chant, where a simple harmonised melody is used, adapting the number of syllables in the psalm text to fit a fixed number of notes, in a manner similar to a kind of harmonised plainsong. Similarly to settings of the responses and canticles, many ...