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The art that is worked on the takadai is a braid, not a weave. Although many of the patterns used on this braiding stand resemble the up and down motion of a weave, since each thread takes a turn at being both the weft and the warp, it is a braid. On the takadai it is possible to make intricate patterns using a technique called "pick-up braids ...
Ise katagami (伊勢型紙) is the Japanese craft of making paper stencils for dyeing textiles (katagami (型紙)). It is designated one of the Important Intangible Cultural Properties of Japan. The art is traditionally centered on the city of Suzuka in Mie Prefecture. It is different from ise washi, though both are made in Mie Prefecture.
A stencil for undyed paste was used to create skiamorphic white outlines between the areas of colour, making the finished kata-yūzen pattern resemble itome-yūzen. [3] The Exposition Universelle of 1900 in Paris introduced Art Nouveau [3] (a Western art movement heavily influenced by Japanese art) [citation needed] to Japanese artists.
Many sashiko patterns were derived from Chinese designs, but just as many were developed by native Japanese embroiderers; for example, the style known as kogin-zashi, which generally consists of diamond-shaped patterns in horizontal rows, is a distinctive variety of sashiko that was developed in Aomori Prefecture.
The term "Ainu culture" has two meanings. One is an anthropological perspective, referring to the cultural forms held by the Ainu people as an ethnic group, which includes both the culture held or created by the modern Ainu and the culture of their ancestors.
An early 19th century katazome-dyed summer kimono Length showing repeating pattern. Katazome (型染め) is a Japanese method of dyeing fabrics using a resist paste applied through a stencil, typically a rice flour mixture applied with a brush or a tool such as a palette knife. Unlike yūzen, stencils are used repeatedly to make a repeating ...
A section of kumo shibori (spider shibori) dyed with indigo, next to kumo shibori that has not been dyed yet. Shibori (しぼり/絞り, from the verb root shiboru – "to wring, squeeze or press" [1]: 7 ) is a Japanese manual tie-dyeing technique, which produces a number of different patterns on fabric.
Neil Gordon Munro argued that the basis for the mitsudomoe pattern, a motif found also among the Ainu, was the eastern European and western Asian figure of the triskelion, which he believed lay behind the Chinese three-legged crow design, and, in his view, its reflex in the mythical Japanese crow, the Yatagarasu (八咫烏).