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"The Man Trap" is the first broadcast episode of season one of the American science fiction television series Star Trek. Written by George Clayton Johnson and directed by Marc Daniels , it featured design work by Wah Chang and first aired in the United States on September 8, 1966.
Instead, Shukoff and Alquist rap together in the same room, over one take. This approach was used for rap battle ideas that the two considered worthy of a rap battle, but not worthy enough to demand a full production. [78] "Ronald McDonald vs. The Burger King" would later go on to earn a fully-produced rap battle in Season 6.
Memory Alpha officially launched on December 5, 2003, as a section of the Star Trek Minutiae website. [6] In April 2004, Memory Alpha was launched as its own website. In February 2005, Memory Alpha joined Wikicities (now known as Fandom). [3] By September, it was the largest project on Wikicities and a central hub for Trekkies. [8]
Rage (also known as rage music, [1] [2] rage rap, [3] or rage beats [4] [5] [6]) is a microgenre of trap music. [3] [7] Distinguishing features of rage include short looping stereo-widened future bass-influenced synthesizer lead hooks and basic, energetic trap rhythms. [4] [7] [8] Among the pioneers of rage are rappers Playboi Carti, Lil Uzi ...
Stelios Phili of GQ called trap music "the sound of hip hop in 2012". [9] Since maintaining a strong presence on the mainstream music charts, trap music has been influential to non-hip hop artists. R&B singer Beyoncé's songs "Drunk in Love", "Flawless" and "7/11", all from her 2013 album Beyoncé, also contained trap influences.
Battle rap was loosely described by 40 Cal, previously a member of American hip hop collective The Diplomats, in the book How to Rap (2009) as an "extracurricular" display of skill, comparing it to the dunk contest in the NBA. Battle rap has been developed into highly organized league events drawing in significant revenue and attention.
In 2017, music critic Jon Caramanica of The New York Times opined that SoundCloud rap "in the last year has become the most vital and disruptive new movement in hip-hop". [23] Todd Moscowitz , the founder of Alamo Records, called the scene a " lo-fi movement" noting the heavily distorted bass and intentional lack of polish in the sound.
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