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Feast in the House of Simon by Francis Francken the Younger.. The Parable of the Two Debtors is a parable of Jesus.It appears in Luke 7:36–7:50, where Jesus uses the parable to explain that the woman who has anointed him loves him more than his host, because she has been forgiven of greater sins.
Parable of the Two Debtors (7:36-50) [ edit ] Illustration of "A disciple washes Christ's feet" (Luke 7:38) with the text on the bottom from Song of Solomon 1:12 in Latin (English: "While the king was at his repose, my spikenard sent forth the odour thereof.")
Simon was a Pharisee mentioned in the Gospel of Luke (Luke 7:36-50) as the host of a meal, who invited Jesus to eat in his house but failed to show him the usual marks of hospitality offered to visitors - a greeting kiss (v. 45), water to wash his feet (v. 44), or oil for his head (v. 46).
The event (or events – see discussion below) is reported in Matthew 26, Mark 14, Luke 7, and John 12. [2] Matthew and Mark are very similar: Matthew 26:6–13. While Jesus was in Bethany in the home of Simon the Leper, a woman came to him with an alabaster jar of very expensive perfume, which she poured on his head as he was reclining at the table.
Western Christianity initially identified Mary of Bethany with Mary Magdalene and the sinful woman of Luke 7 (Luke 7:36–50). This influenced the Roman Rite liturgy of the feast of Mary Magdalene, with a Gospel reading about the sinful woman and a collect referring to Mary of Bethany.
Luke 7:36–50. In the Gospel of Luke, Jesus is an invited guest in the home of Simon the Pharisee. All at the table were men. During the meal a woman known as "a sinner" entered the room and anointed Jesus's feet with her tears and with some ointment.
The parable of the Leaven follows the parable of the Mustard Seed in Matthew and Luke, and shares the theme of the Kingdom of Heaven growing from small beginnings. [27] The parable of the Hidden Treasure and parable of the Pearl form a pair illustrating the great value of the Kingdom of Heaven , and the need for action in attaining it.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...