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The painting illustrates Luke 10, verses 38–42 in the Bible, when Christ ate at the table of the sisters Martha and Mary. [2] In the scripture, Martha is doing all the work to serve as hostess to Jesus, while her sister sat with him. [2] She reproved Mary for sitting while she did all the work. [2]
Martha goes immediately to meet Jesus as he arrives, while Mary waits until she is called. As one commentator notes, "Martha, the more aggressive sister, went to meet Jesus, while quiet and contemplative Mary stayed home. This portrayal of the sisters agrees with that found in Luke 10:38–42." [11] When Mary meets Jesus, she falls at his feet ...
Christ in the House of Martha and Mary by Tintoretto, 1570s. Jesus at the home of Martha and Mary, in art usually called Christ in the House of Martha and Mary, and other variant names, is a Biblical episode in the life of Jesus in the New Testament which appears only in Luke's Gospel (Luke 10:38–42), immediately after the Parable of the Good Samaritan (Luke 10:25–37). [1]
Dutch painter Jan van Eyck's Lucca Madonna at the Städel Museum in Frankfurt is a good example of iconography where the Virgin Mary is portrayed as the Throne of Wisdom, with Jesus sitting on her lap. Michelangelo's statue of the Virgin Mary and a standing Jesus known as the Madonna of Bruges at the Church of Our Lady, Bruges, Belgium shares ...
anointed Jesus' head none mentioned: Simon the Leper Luke 7: city/town in Galilee, probably Nain [note 1]: 49 unnamed sinful woman: cried on, anointed & hair-dried Jesus' feet none mentioned: Simon the Pharisee Luke 10: unnamed village [note 2] Mary sat at Jesus' feet listening to Jesus Martha Martha John 11–12: Bethany, village in Judea Mary
Here, she is based on Mary of Bethany, who is identified as the Magdalene in the Roman Catholic tradition. Mary of Bethany sat at Jesus' feet and "listened to His Word", and thus is seen as a contemplative figure. The counterpoint is Mary's sister Martha who, representative of the active life, wished that Mary would help her serve. [9]