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MIDI Tuning Standard (MTS) is a specification of precise musical pitch agreed to by the MIDI Manufacturers Association in the MIDI protocol. MTS allows for both a bulk tuning dump message, giving a tuning for each of 128 notes , and a tuning message for individual notes as they are played.
It was during sessions at The Manor where Rush brought in musician Andy Richards to play additional synthesizers and assist in their programming. His rig consisted of a PPG Wave 2.3 synthesizer connected to a Roland Super Jupiter module through a MIDI system, a Yamaha QX-1 digital sequencer, and a Roland Jupiter-8 and Yamaha DX7 synthesizer. [8]
The performance information (e.g., on which notes or drums are struck, and how hard) is then sent to a module or computer which converts the data into sounds (e.g., samples or synthesized sounds). Sequencers, which store and retrieve MIDI data and send the data to MIDI-enabled instruments in order to reproduce a performance.
"YYZ" was the first of six Rush songs (over three decades) to be nominated for a Grammy in the category of Best Rock Instrumental Performance. [ citation needed ] The song was a live performance staple, having been played on every one of the band's concert tours since its release, except the Roll the Bones Tour .
Full featured notation software program and MIDI sequencer. NoteEdit: Linux: GPL-2.0-or-later: Jörg Anders: MIDI based score writer: Defunct; last stable release September 2006. NoteWorthy Composer: Windows: Proprietary: Noteworthy Software Can import and export MIDI data, but only edit and display it as a musical score. Runs correctly in wine ...
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MIDI beat clock, or simply MIDI clock, is a clock signal that is broadcast via MIDI to ensure that several MIDI-enabled devices such as a synthesizer or music sequencer stay in synchronization. Clock events are sent at a rate of 24 pulses per quarter note .
The "sci-fi" sounds in the beginning of the song were created using an ARP Odyssey synthesizer [7] and an Echoplex tape delay. [8] On the "2112 / Moving Pictures" episode of the documentary series Classic Albums, producer Terry Brown states the synth intro is composed of various parts played by Hugh Syme that were put together in a collage.