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The General Prologue is the first part of The Canterbury Tales by Geoffrey Chaucer. It introduces the frame story , in which a group of pilgrims travelling to the shrine of Thomas Becket in Canterbury agree to take part in a storytelling competition, and describes the pilgrims themselves.
The movie opens with a group of medieval pilgrims journeying through the Kentish countryside as a narrator speaks the opening lines of the General Prologue. The scene then makes a now-famous transition to the time of World War II. From that point on, the film follows a group of strangers, each with their own story and in need of some kind of ...
Pilgrim – The designation of each pilgrim in the General Prologue, commonly accepted alternate designation within the name of their Tale, and membership in group of pilgrims if any. The pilgrims' names link to their Tales' articles. GP (General Prologue) – This column lists the order in which each character is mentioned in the General Prologue.
A Commentary on the General Prologue to The Canterbury Tales is a 1948 doctoral dissertation by Muriel Bowden that examines historical backgrounds to characters in Geoffrey Chaucer's The Canterbury Tales within the context of its General Prologue.
The Squire is the second pilgrim described in the General Prologue. His tale is told eleventh, after the Merchant and before the Franklin – the first of group F, and considered by modern scholars one of the marriage tales.
The General Prologue names the prioress as Madame Eglantine, and describes her impeccable table manners and soft-hearted ways. Her portrait suggests she is likely in religious life as a means of social advancement, given her aristocratic manners and mispronounced French.
The general prologue to The Canterbury Tales describes the Miller, Robin, as a stout and evil churl fond of wrestling. [1] In the Miller's Prologue, the pilgrims have just heard and enjoyed "The Knight's Tale", a classical story of courtly love, and the Host asks the Monk to "quite" with a tale of his own. Before the Monk can respond, however ...
The Pardoner's confession is similar to that of the Wife of Bath in that there is a revelation of details buried within the prologue. Chaucer describes the Pardoner as an excellent speaker in his portrait of the character in the General Prologue to The Canterbury Tales, which inherently reflects the quality of the narrative attributed to him.