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The embroidered panels, of which there are over a hundred, were worked in cross stitch on the canvas. The designs of the panels were mostly based on four continental emblem books which Mary owned. The designs were copied from wood-cut illustrations in books by well-known authors such as Claude Paradin, Conrad Gessner, and Pierre Belon.
Some embroidery was imported in this period, including the canvas work bed valances once thought to be English but now attributed to France, but the majority of work was made in England—and increasingly, by skilled amateurs, mostly women, working domestically, to designs by professional men and women, and later to published pattern books. [26]
Embroidery is the art of decorating fabric or other materials using a needle to stitch thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on hats, clothing, blankets, and handbags. Embroidery is available in a wide variety of thread or yarn colour.
It is an oil on canvas painting of 111x282 cm. [Notes 2] [5] [6] It is signed by the artist in the lower left corner: N. Fechin. [7]Nicolai Fechin depicted an episode of the wedding ceremony of the Mari (pre-revolutionary name — Cheremis) — the taking away of the bride from her parents' house.
Mary Linwood (1755–1845) was an English needle woman who exhibited her worsted embroidery or crewel embroidery in Leicester and London and was the school mistress of a private school. In the 20th century, Mary Linwood Comprehensive School was named in her honour. In 1790, she received a medal from the Society of Arts.
Canvas is a popular base fabric for embroidery such as cross-stitch and Berlin wool work. [9] Some specific types of embroidery canvases are Aida cloth (also called Java canvas [10]), Penelope canvas, Chess canvas, and Binca canvas. [11] [12] [13] Plastic canvas is a stiffer form of Binca canvas. [14]