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In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
The marcato is essentially a louder and often shorter version of the regular accent > (an open horizontal wedge). Like the regular accent, however, the marcato is often interpreted to suggest a sharp attack tapering to the original dynamic, [ 4 ] an interpretation which applies only to instruments capable of altering the dynamic level of a ...
A dynamic accent or stress accent is an emphasis using louder sound or stronger sound; typically, most pronounced on the attack of the sound. A tonic accent is an emphasis on notes by virtue of them being higher in pitch, as opposed to higher in volume. [1] An agogic accent is an emphasis by virtue of notes being longer in duration.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Dynamics in a piece should be interpreted relative to the other dynamics in the same piece. For example, pp should be executed very softly, but if ppp is found later in the piece, pp should be markedly louder than ppp. More than three p s (ppp) or three f s (fff) are uncommon. piano (p) Gently (i.e. played or sung softly) (see dynamics) piano ...
In that case, it can mean either accent the note in question by holding it to its full length (or longer, with slight rubato), or play the note slightly louder. In other words, the tenuto mark may alter the length of a note at the same time a dynamic mark adjusts its volume. Either way, the tenuto marking indicates that a note should receive ...
Articulation describes the forming of a tone in all its facets. This also includes loudness, timbre, intonation, and envelope characteristics. A note is accented by a sort of triangle without its base. A musician using a string instrument would accent a note by playing the string harder and with more attack creating a louder sound.
According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent: