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  2. Yunomi - Wikipedia

    en.wikipedia.org/wiki/Yunomi

    Yunomi teacups are tall with a trimmed or turned foot. They are usually held with two hands. Unlike the more formal chawan tea bowl which is used during the Japanese tea ceremony, the yunomi is made for daily or informal tea drinking.

  3. Chawan - Wikipedia

    en.wikipedia.org/wiki/Chawan

    Blue and white cups are not used by those who give tea-tasting parties. [ 5 ] By the end of the Kamakura period (1185–1333), as the custom of tea drinking spread throughout Japan and the Tenmoku chawan became desired by all ranks of society, the Japanese began to make their own copies in Seto (in present-day Aichi Prefecture ). [ 6 ]

  4. Raku ware - Wikipedia

    en.wikipedia.org/wiki/Raku_ware

    Raku ware (楽焼, raku-yaki) is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of chawan tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln ...

  5. Asahi ware - Wikipedia

    en.wikipedia.org/wiki/Asahi_ware

    Asahi stoneware tea bowl with wood-ash glaze, Edo period, 18th century Asahi ware ( 朝日焼 , Asahi-yaki ) is a type of Japanese pottery traditionally from Uji, Kyoto . Matsubayashi Hōsai XVI (松林豊斎 十六代) is one of the eminent masters of Asahi.

  6. Tenmoku - Wikipedia

    en.wikipedia.org/wiki/Tenmoku

    Jian ware tea bowl shapes are conical in form with a slight indent below the rim. They are about 4–5 inches (10–13 cm) in height. [ 2 ] The emphasis is on the ceramic glaze , where a number of distinct effects can be produced, some including an element of randomness that has a philosophical appeal to the Japanese.

  7. Oribe ware - Wikipedia

    en.wikipedia.org/wiki/Oribe_ware

    Oribe ware (also known as 織部焼 Oribe-yaki) is a style of Japanese pottery that first appeared in the sixteenth century. It is a type of Japanese stoneware recognized by its freely-applied glaze as well as its dramatic visual departure from the more somber, monochrome shapes and vessels common in Raku ware of the time. [ 1 ]