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The Equestrian Portrait of Philip IV was a portrait of Philip IV of Spain on horseback, painted by Diego Velázquez in 1635–36 as part of a series of equestrian portraits for the Hall of Realms, originally a wing of the Buen Retiro Palace in Madrid (a series that also included that of Philip's son prince Balthasar Charles).
Equestrian Portrait of Philip IV; M. Las Meninas; P. ... Portrait of Philip IV in Fraga This page was last edited on 18 March 2024, at 18:42 (UTC). Text ...
Equestrian Portrait of Elisabeth of France: 1634–1635 304.5 × 317.5 Museo del Prado, Madrid Velazquez and workshop. [23] 66/70 Equestrian Portrait of Philip IV: 1634–1635 305.5 × 317.5 Museo del Prado, Madrid 67/71 Equestrian Portrait of Prince Balthasar Charles: 1634–1635 209.5 × 174 Museo del Prado, Madrid 68/72 The Surrender of Breda
Velázquez was commissioned to paint a series of equestrian portraits for the Hall of Realms, originally a wing of the Buen Retiro Palace in Madrid. This work was meant to fill the gap between two larger equestrian portraits of the prince's parents, Philip IV and Elisabeth of France.
King Phillip IV commissioned Velázquez to paint a series of portraits on the theme of the hunt, all of which were to adorn the hunting lodge that was built in the mountain of Pardo, close to Madrid, called Torre de la Parada. This pavilion was later converted into an art museum with a long series of Ovid's Metamorphosis, painted by Rubens.
Equestrian Portrait of Philip III; Equestrian Portrait of Philip IV; Prince Baltasar Carlos in the Riding School; Equestrian Portrait of Prince Balthasar Charles; Q.
Portrait of Don Pedro de Barberana y Aparregui; Equestrian Portrait of Philip III; Philip IV in Brown and Silver; Portrait of Innocent X; Portrait of Philip IV in Fraga; Prince Balthasar Charles with a Dwarf; Prince Philip Prospero
The painting Equestrian Portrait of Philip IV of Spain was destroyed in the fire at Royal Alcázar of Madrid fire in 1734. A copy is in the Uffizi Gallery. The Continence of Scipio was destroyed in a fire in the Western Exchange, Old Bond Street, London, March 1836 [55]