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The earliest appearance of the name "Grim Reaper" in English is in the 1847 book The Circle of Human Life: [21] [22] [23] All know full well that life cannot last above seventy, or at the most eighty years. If we reach that term without meeting the grim reaper with his scythe, there or there about, meet him we surely shall.
The Grim Reaper is a popular personification of death in Western culture in the form of a hooded skeletal figure wearing a black robe and carrying a scythe. [ 1 ] [ 2 ] Since the 14th century, European art connected each of these various physical features to death, though the name "Grim Reaper" and the artistic popularity of all the features ...
The Grim Reaper is often depicted carrying or wielding a scythe. According to Jack Herer and Flesh of The Gods (Emboden, W. A. Jr., Praeger Press, New York, 1974), the ancient Scythians grew hemp and harvested it with a hand reaper that would be considered a scythe. [citation needed]
A life-sized, quite realistic-looking Grim Reaper statue. Scythe included. ... but they were so close that if two people used them at the same time you could hold hands. ...
The Grim Reaper is often depicted as a hooded skeleton holding a scythe (and occasionally an hourglass), which has been attributed to Hans Holbein the Younger (1538). [2] Death as one of the biblical horsemen of the Apocalypse has been depicted as a skeleton riding a horse.
Father Time, complete with scythe, is the central figure in the Rotunda Clock by John Flanagan, located in the rotunda of the Thomas Jefferson Building of the U.S. Library of Congress in Washington, D.C.. Father Time and the Virgin is a statue located on the cupola of the Masonic Hall at Mendocino, California.
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The two most common objects that Santa Muerte holds in her hands are a globe and a scythe. Her scythe reflects her origins as the Grim Reaper (la Parca of medieval Spain), [23] and can represent the moment of death, when it is said to cut a silver thread. The scythe can symbolize the cutting of negative energies or influences.