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The Hudibrastic relies upon feminine rhyme for its comedy, and limericks will often employ outlandish feminine rhymes for their humor. Irish satirist Jonathan Swift used many feminine rhymes in his poetry. Edgar Allan Poe's poem "The Raven" employs multiple feminine rhymes as internal rhymes throughout. An example is the following:
Feminine rhymes are generally preferred over masculine rhymes. Apocopic forms ( uom for uomo , amor for amore ) and contractions ( spirto for spirito ) are common. Expanded forms of words which have become contracted in ordinary use ( cittade for città , virtute for virtù ) are also frequently encountered, particularly for the sake of ending ...
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
Beyond the frequent feminine endings, the meter is quite regular, but there are several significant cases in which, rather than the rhythm of the words determining the meter, the meter determines the rhythm of the words. This occurs especially in stretches of monosyllabic function words (like prepositions, conjunctions, and especially pronouns).
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Sonnet 42 uses feminine rhymes at the end of the lines: especially in the second quatrain as a poetic device, similar to sonnet 40. [7] " The poem is essentially a sad one…it's sadness heightened by the feminine endings, six in all [out of seven]". [ 8 ]
Dirty words for body parts (p*ssy, c*ck, d*ck, t*ts, etc.) are also worth discussing; there’s nothing inherently wrong with any of them, but some people have strong reactions to one over another ...
A kind of rhyme in which the spellings of paired words appear to match but without true correspondence in pronunciation; e.g. "dive/give", "said/maid", "bear/dear". Some were originally true rhymes but have become eye rhymes through changes in pronunciation; these are sometimes called historical rhymes. [35