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Previously, "Help Me" was recorded by: Kris Kristofferson in 1972, the first recording of the song, on his album Jesus Was a Capricorn and subsequently released as the B-side to the single "Why Me". Ray Price, on his 1973 album She's Got to Be a Saint. Connie Smith, on her 1973 album God Is Abundant. Johnny Cash, on his 1973 album The Gospel Road.
"Why Me" was Kristofferson's lone major country hit as a solo recording artist, reaching No. 1 on the Billboard Hot Country Singles chart in July 1973. [4] The song peaked only at No. 16 on the Billboard Hot 100, but had at that time one of the longer runs (19 weeks) in the top 40 [1] and the most chart reversals (6) in one run on the Hot 100.
Jesus Was a Capricorn was produced by Fred Foster and, like his previous album Border Lord, features more elaborate instrumentation than his first two LPs.Biographer Stephen Miller notes in his book Kristofferson: The Wild American, “A common criticism directed at Jesus Was a Capricorn was that it was overproduced and moved Kristofferson's songs too far away from the rough-hewn charm of his ...
He also swept the Grammy Awards that year with numerous songs nominated, winning country song of the year for "Help Me Make It Through the Night". Kristofferson's 1972 fourth album, Jesus Was a Capricorn , initially had slow sales, but the third single, " Why Me ", was a success and significantly increased album sales.
The name of Jesus is at the heart of Christian prayer. All liturgical prayers conclude with the words "through our Lord Jesus Christ". The Hail Mary reaches its high point in the words "blessed is the fruit of thy womb, Jesus". The Eastern prayer of the heart, the Jesus Prayer, says: "Lord Jesus Christ, Son of God, have mercy on me, a sinner."
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Sold for: $2.2 million. Worn by Jordan during Game 2 of the 1998 NBA Finals, these shoes witnessed the shooting guard score a whopping 37 points to lead the Bulls to victory on their path to a ...
Editors at AllMusic rated this album 3.5 out of 5 stars, with critic Ron Wynn writing this work is "more magnificent and moving than at any time she had done jazz, blues, or R&B". [2]