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Pen and brown ink with brush and brown wash, with touches of opaque white watercolor, on cream laid paper: 14.3 x 16.8 cm: Museum of Fine Arts, Boston: The drawing is related to the etching B158 : Three Men Being Beheaded: c. 1640: Pen and brown ink, corrected with white; framing lines in pen and brown ink: 15.3 x 22.6 cm: British Museum, London
Orie J. Smith Black and White Stock Farm Historic District is a historic farm and national historic district located near Kirksville, Adair County, Missouri.The district encompasses six contributing buildings and one contributing structures on a farm about three miles northeast of Kirksville.
In total, the black-and-white portion of the collection consists of about 175,000 black-and-white film negatives, encompassing both negatives that were printed for FSA/OWI use and those that were not printed at the time. Color transparencies also made by the FSA/OWI are available in a separate section of the catalog, FSA/OWI Color Photographs.
Haystacks near a Farm: 31 July-6 August 1888 Philadelphia Museum of Art: Arles F 1427 JH 1525 Fishing Boats at Saintes-Maries: 31 July-6 August 1888 Solomon R. Guggenheim Museum, New York Arles F 1430a JH 1526 Harvest Landscape: 31 July-6 August 1888 National Gallery of Art, Washington D.C. Arles F 1486 JH 1527 Fishing Boats at Saintes-Maries ...
Black and White Farm Barn is a historic barn located near Sonyea in Livingston County, New York. It is a large two story wood-frame building built in 1884 on a 600-acre (2.4 km 2 ) farm. The barn is rectangular in plan and measures 160 feet (49 m) in length and 200 feet (61 m) in depth.
Black and White Farm Barn: Black and White Farm Barn: February 8, 1988 : 7420 Dansville-Mt. Morris Rd., NY 36: Sonyea: 9: Boyd & Parker Park and Groveland Ambuscade: Boyd & Parker Park and Groveland Ambuscade: October 1, 2009
[12] [15] Black and White has both order and chaos, expressed through the story, illustrations, and design of the book. [12] The chaos of the story increases, reaching its climax when the only colors used are black on white on a page, before order is restored at the end of the stories and at the end of the book. [16]
Tolkien's illustrations contributed to the effectiveness of his writings, though much of his oeuvre remained unpublished in his lifetime. However, the first British edition of The Hobbit in 1937 was published with ten of his black-and-white drawings. [1] In addition, it had as its frontispiece Tolkien's drawing The Hill: Hobbiton-across-the-Water.