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Gothic acanthuses on a page of the Codex Salemitanus IX c, 15th century, tempera colors, gold paint, gold leaf, and ink on parchment, Heidelberg University Library, Heidelberg, Germany Renaissance acanthuses on the fabric worn by king Edward IV , portrait painted by Lucas Horenbout , c. 1470-1475
A round leaf where the petiole attaches near the center, e.g. a lotus leaf perfoliate: perfoliatus: stem attachment: With the leaf blade surrounding the stem such that the stem appears to pass through the leaf perforate: perforatus: leaf surface features Many holes, or perforations, on leaf surface. Compare with fenestrate. pinnately lobed ...
With an alternate (spiral) pattern, each leaf arises at a different point (node) on the stem. Distichous leaf arrangement in Clivia Distichous phyllotaxis, also called "two-ranked leaf arrangement" is a special case of either opposite or alternate leaf arrangement where the leaves on a stem are arranged in two vertical columns on opposite sides ...
Thirty forms of fleuron have code points in Unicode.The Dingbats and Miscellaneous Symbols blocks have three fleurons that the standard calls "floral hearts" (also called "aldus leaf", "ivy leaf", "hedera" and "vine leaf"); [7] twenty-four fleurons (from the pre-Unicode Wingdings and Wingdings 2 fonts) in the Ornamental Dingbats block and three more fleurons used in archaic languages are also ...
Whorled leaf pattern of the American tiger lily. Perennial plants whose leaves are shed annually are said to have deciduous leaves, while leaves that remain through winter are evergreens. Leaves attached to stems by stalks (known as petioles) are called petiolate, and if attached directly to the stem with no petiole they are called sessile. [19]
Diagram of flower parts. In botany, floral morphology is the study of the diversity of forms and structures presented by the flower, which, by definition, is a branch of limited growth that bears the modified leaves responsible for reproduction and protection of the gametes, called floral pieces.
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Ettinghausen et al. describe the arabesque as a "vegetal design consisting of full...and half palmettes [as] an unending continuous pattern...in which each leaf grows out of the tip of another." [19] To the adherents of Islam, the Arabesque is symbolic of their united faith and the way in which traditional Islamic cultures view the world.