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With a difficult and serious poet like Stevens, one way to do this is to find poems in the same book that "interinanimate the words" of the poem at hand. In this case, Section IV of "Variations on a Summer Day," published in Parts of a World (1942), provides this help for "Of Modern Poetry": Words add to the senses. The words for the dazzle
Wallace Stevens (October 2, 1879 – August 2, 1955) was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and spent most of his life working as an executive for an insurance company in Hartford, Connecticut.
A 1913 photograph of Ezra Pound, one of the most influential modernist poets. The roots of English-language poetic modernism can be traced back to the works of a number of earlier writers, including Walt Whitman, whose long lines approached a type of free verse, the prose poetry of Oscar Wilde, Robert Browning's subversion of the poetic self, Emily Dickinson's compression and the writings of ...
Matthew Josephson ranked Stevens among the best of contemporary poets, writing in 1923 that Stevens exhibits both a poetry of sensuousness and a metaphysical poetry. He favors the latter, as in "Thirteen Ways of Looking at a Blackbird" and "Anecdote of the Jar", predicting that they will be "spell-binding for hundreds of years". [15]
Similarly, many poems of Wallace Stevens convey a struggle with the sense of nature's significance, falling under two headings: poems in which the speaker denies that nature has meaning, only for nature to loom up by the end of the poem; and poems in which the speaker claims nature has meaning, only for that meaning to collapse by the end of ...
Modern poetry may refer to: The most recent periods in the history of poetry; Modernist poetry, ... Of Modern Poetry", a poem by Wallace Stevens published in 1942
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One critic wrote: "Of the modern poets, Wallace Stevens seem to me the most successful creator of artistic experiences which hum with the energy and motion of life." [ 2 ] See also " Metaphors of a Magnifico ", where the debt to Cubist studies of motion is particularly evident.