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"Questions 67 and 68" is a 1969 song written by Robert Lamm for the rock band Chicago (then known as Chicago Transit Authority) and recorded for their debut album Chicago Transit Authority. It was their first single release. Peter Cetera is the primary lead singer with Lamm also on vocals.
The lyrics of this song are written from the point of view of a person who is disillusioned with events in life that are supposedly unique experiences. The singer tells of witnessing her family's house on fire when she was a little girl, seeing the circus, and falling in love for the first time.
"Israelites" is a song written by Desmond Dekker and Leslie Kong for their group, Desmond Dekker & the Aces, [2] which reached the top of the charts in numerous countries in 1969. Sung in Jamaican Patois, some of the song's lyrics were not readily understood by many British and American listeners at the time of its release. [3]
"Morning Girl" is a 1969 song by The Neon Philharmonic. It was a hit in Canada and the United States. It was a hit in Canada and the United States. The recording featured a chamber-sized orchestra of Nashville Symphony Orchestra musicians, and the project was headed by composer Tupper Saussy and vocalist Don Gant.
"The Ballad of John and Yoko" is a song by the English rock band the Beatles that was released as a non-album single in May 1969. It was written by John Lennon [3] and credited to the Lennon–McCartney partnership, and chronicles the events surrounding the wedding of Lennon and Yoko Ono.
Adams said the song was not about the summer of 1969 but about having sex in the summertime; "69" being a reference to the sexual position 69. [ 15 ] [ 16 ] Vallance, however, has gone for the more conventional interpretation of the title being a reference to a year.
The song was prominently featured in the surf movie Winds of Change in 1970 (retitled The Sunshine Sea the following year), produced by filmmakers Greg MacGillivray and Jim Freeman. [ 8 ] David LaFlamme remade "White Bird" as the title cut for his 1976 solo album debut, with his second wife Linda Baker - credited as Dominique Dellacroix ...
The subject of the song is one Mary Hill, a girl who frequents the titular Cherry Hill Park. During the day she acts as a tease to the boys in the park but at night, when they return to the park, she “pleases” them, as noted in the barely disguised suggestive lyrics. However, she "married away" to a "man with money".