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[11] Similarly, the writer Yu Bin once compared Zhenbao and Hu Lancheng in his book: "With his (Hu Lancheng) self-centeredness and male chauvinism, the most wishful thinking is just the secret wish of all men in the world – that is, Tong Zhenbao's thoughts in the novel Red Rose, White Rose. Possessing both an ideal woman and a secular woman ...
The people, divided in their affections, took different symbols of party: the partisans of the house of Lancaster chose the red rose as their mark of distinction; those of York were denominated from the white; and these civil wars were thus known over Europe by the name of the quarrel between the two roses. [3]
Snow-White and Rose-Red are two little girls living with their mother, a poor widow, in a small cottage by the woods. Snow-White is quiet and shy and prefers to spend her time indoors, doing housework and reading. Rose-Red is outspoken, lively and cheerful, and prefers to be outside.
In John's revelation the first horseman rides a white horse, carries a bow, and is given a crown as a figure of conquest, [2] [3] perhaps invoking pestilence, or the Antichrist. The second carries a sword and rides a red horse as the creator of (civil) war, conflict, and strife. [4]
During the Wars of the Roses (1455–1487), Sir Daniel is a powerful, unscrupulous knight, surrounded by equally treacherous retainers, Oates, Sykes, Appleyard, and Scar. . Since the white rose of the House of York is in the ascendant, Sir Daniel and his household are loyal to York and the white ro
As a backup story in his other series, Mage (1984–1986), appearing from issues 6 to 14, Wagner reworked and retold Hunter Rose's story in its entirety. It was collected by Comico in 1986. A new edition, recolored by Bernie Mireault, was published by Dark Horse in 1993. In 2007, it was released in hardcover colored only in black, white, and red.
La rosa bianca e la rosa rossa (The White Rose and the Red Rose) is an opera in two acts composed by Simon Mayr to an Italian libretto by Felice Romani. It premiered at the Teatro Sant'Agostino, Genoa , on 21 February 1813.
[2] there are, however, doubts as to whether the red rose was actually an emblem taken up by the Lancastrians during the Wars of the Roses. Adrian Ailes has noted that the red rose “probably owes its popular usage to Henry VII quickly responding to the pre-existing Yorkist white rose in an age when signs and symbols could speak louder than ...