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In World War II, a Romanian gentile peasant is denounced by the village gendarme and sent to a concentration camp for Jews where, due to an error, he's drafted into the S.S. 1967 United States The Dirty Dozen: Robert Aldrich: Thriller based on E. M. Nathanson novel. US Army convicts on mission before D-Day: 1967 Italy Dirty Heroes: Dalle ...
On August 27th, in anticipation of air raids, workmen had begun taking down the stained glass windows of the Sainte-Chapelle.The same day, curators at the Louvre, summoned back from summer vacation, and aided by packers from the nearby La Samaritaine and Bazar de l'Hôtel de Ville department stores, began cataloging and packing the major works of art, which were put into crates and labeled ...
On October 22, 1988, an integrist Catholic group set fire to the Saint Michel cinema in Paris while it was showing the film The Last Temptation of Christ.A little after midnight, an incendiary device ignited under a seat in the less supervised underground room, where a different film was being shown.
This page was last edited on 15 February 2024, at 11:40 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
This page was last edited on 15 January 2025, at 09:06 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Golgotha is a 1935 French film about the death of Jesus Christ, released in English-speaking countries as Behold the Man.The film was directed by Julien Duvivier, and stars Harry Baur as Herod, Jean Gabin as Pontius Pilate, and Robert Le Vigan plays Jesus of Nazareth.
The Last Time I Saw Paris (1954), by Richard Brooks; Phantom of the Rue Morgue (1954), by Roy Del Ruth; Sabrina (1954), by Billy Wilder; The French, They Are a Funny Race (1955), by Preston Sturges; So This Is Paris (1955), by Richard Quine; Anything Goes (1956), by Robert Lewis; Trapeze (1956), by Carol Reed; Funny Face (1957), by Stanley Donen
The Seattle Times added that "the film is intended as a propaganda piece for the Church of Jesus Christ of Latter-day Saints, but the messages are very subtle, and the movie does have a place in the new WWII genre", and is "appropriate for mainstream audiences". [22]