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Private magic was practiced throughout Greek and Roman cultures as well as among Jews and early Christians of the Roman Empire. Primary sources for the study of Greco-Roman magic include the Greek Magical Papyri, curse tablets, amulets, and literary texts such as Ovid's Fasti and Pliny the Elder's Natural History. [1]
The Roman theater of Aspendos is a Roman theater in the ancient city of Aspendos in Turkey. It was built in the 2nd century and is one of the best preserved ancient theaters of the Greco-Roman world .
Unlike eros, which was more commonly used by men, philia magic was utilized by women and others who were considered to be social inferiors. Since there was an emphasis on service to the state in Greco-Roman culture, these social inferiors felt like they were doing their country a service.
The Greek Magical Papyri (Latin: Papyri Graecae Magicae, abbreviated PGM) is the name given by scholars to a body of papyri from Graeco-Roman Egypt, written mostly in ancient Greek (but also in Old Coptic, Demotic, etc.), which each contain a number of magical spells, formulae, hymns, and rituals.
Pages for logged out editors learn more. Contributions; Talk; Magic in the Graeco-Roman world
The Roman Theatre of Catania (Teatro Romano di Catania) consists of the ruins of two open-air semicircular ancient Roman theatres, located between Piazza San Francesco, via Vittorio Emanuele, via Timeo, and via Teatro Greco in the center of Catania, Sicily, southern Italy.