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In other words, the ancient definition of "small talks" merely refers to trivial affairs, trivial facts, and can be different from the Western concept of novel. According to Lu Xun , the word "small talks" first appeared in the works of Zhuang Zhou , which coined such word.
novel A genre of fiction that relies on narrative and possesses a considerable length, an expected complexity, and a sequential organization of action into story and plot distinctively. Novels are flexible in form (although prose is the standard), generally focus around one or more characters, and are continuously reshaped and reformed by a ...
According to Alastair Fowler, the following elements can define genres: organizational features (chapters, acts, scenes, stanzas); length; mood; style; the reader's role (e.g., in mystery works, readers are expected to interpret evidence); and the author's reason for writing (an epithalamion is a poem composed for marriage). [3]
The definition of literary fiction is controversial. It may refer to any work of fiction in a written form. However, various other definitions exist, including a written work of fiction that: does not fit neatly into an established genre (as opposed to so-called genre fiction), when used as a marketing label in the book trade
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]
The origins of modern Western genre theory can be traced to the European Romantic movement in the late eighteenth and early nineteenth centuries, during which the concept of genre was scrutinized heavily. [6] The idea that it was possible to ignore genre constraints and the idea that each literary work was a "genre unto itself" [6] gained ...
Early 20th-century English novelist E. M. Forster described plot as the cause-and-effect relationship between events in a story. According to Forster, "The king died, and then the queen died, is a story, while The king died, and then the queen died of grief, is a plot."
The development of American literature coincided with the nation's development, especially of its identity. [1] Calls for an "autonomous national literature" first appeared during the American Revolution, [2] and, by the mid-19th century, the possibility of American literature exceeding its European counterparts began to take shape, as did that of the Great American Novel, this time being the ...