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Endgame is an absurdist, tragicomic one-act play by Irish playwright Samuel Beckett. It is about a blind, paralyzed, domineering elderly man, his geriatric parents, and his servile companion in an abandoned house in a post-apocalyptic wasteland, who await an unspecified "end". Much of the play's content consists of terse, back and forth ...
A desert. Act Without Words I is a short play by Samuel Beckett. It is a mime, Beckett's first (followed by Act Without Words II). Like many of Beckett's works, the play was originally written in French (Acte sans paroles I), being translated into English by Beckett himself. It was written in 1956 following a request from the dancer Deryk ...
Fin de partie is a one-act opera by György Kurtág, set to a French-language libretto adapted by the composer from the play Endgame (French title: Fin de partie) by Samuel Beckett, with the inclusion of a setting of Beckett's English-language poem "Roundelay" at the start of the opera. [1] Kurtág fully titled this work, his first opera, [2 ...
Happy Days is a play in two acts, written by Samuel Beckett first performed in 1961. [1] [2] Viewed positively by critics, it was named in The Independent as one of the 40 best plays of all time. [3] Winnie, buried to her waist, follows her daily routine and prattles to her husband, Willie, who is largely hidden and taciturn.
28 October 1958. (1958-10-28) Original language. English. Genre. Play (theatre) Krapp's Last Tape is a 1958 one-act play, in English, by Samuel Beckett. With a cast of one man, it was written for Northern Irish actor Patrick Magee and first titled "Magee monologue ".
Play. (play) Play is a one-act play by Samuel Beckett. It was written between 1962 and 1963 and first produced in German as Spiel on 14 June 1963 at the Ulmer Theatre in Ulm-Donau, Germany, directed by Deryk Mendel, with Nancy Illig (W1), Sigfrid Pfeiffer (W2) and Gerhard Winter (M). The first performance in English was on 7 April 1964 at the ...
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Ohio Impromptu. Ohio Impromptu is a "playlet" [1] by Samuel Beckett. Written in English in 1980, it began as a favour to S.E. Gontarski, who requested a dramatic piece to be performed at an academic symposium in Columbus, Ohio, in honour of Beckett’s seventy-fifth birthday. Beckett was uncomfortable writing to order and struggled with the ...