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Marilyn Jane Stokstad (February 16, 1929 – March 4, 2016) was an American art historian, educator, and curator.A scholar of medieval and Spanish art, Stokstad was Judith Harris Murphy Distinguished Professor of Art History Emeritus at the University of Kansas, and also served as director of the Spencer Museum of Art.
Smith, Cherise. “Fragmented Documents: Works by Lorna Simpson, Carrie Mae Weems, and Willie Robert Middlebrook at The Art Institute of Chicago.” Art Institute of Chicago Museum Studies 24, no. 2 (1999): 249. Stokstad, Marilyn and Michael W. Cothren. "The International Scene since 1950." In Art History. 4th ed. Vol. 2, 1111. Upper Saddle ...
Marilyn Stokstad and Michael Cothren, Art A Brief History, 7th edition, London: Pearson Educational/Prentice Hall, 2018; Marilyn Stokstad and Michael Cothren, Art History, 6th edition, London: Pearson Educational/Prentice Hall, 2017; Patricia Cronin: Social Justice and Aesthetic Responsibilities NYU Florence, April 2017
The Pelican History of Art (7th revised and enlarged (3rd integrated) ed.). Harmondsworth and New York: Penguin. ISBN 0-14-056003-3. [Reprinted with corrections, 1986; 8th edition, Harmondsworth and New York: Penguin, 1991.] Stokstad, Marilyn, and Michael Watt Cothren. Art History. 4th ed. Upper Saddle River, New Jersey: Pearson/Prentice Hall ...
The krater was sold to the Metropolitan Museum of Art by Robert E. Hecht, an American antiquities dealer living in Rome, for US$1.2 million on November 10, 1972. [5] Hecht, who was accused of trafficking in illicit antiquities , claimed to have acquired the krater from Dikran Sarrafian, a Lebanese dealer, whose family had been in possession of ...
The Victory Stele of Naram-Sin is a stele that dates to approximately 2254–2218 BC, in the time of the Akkadian Empire, and is now at the Louvre in Paris.The relief measures 2 meters in height (6' 7") [1] and was carved in pinkish sandstone, [2] with cuneiform writings in Akkadian and Elamite.
These climactic events played a great part in the development of a new art genre, the winter landscape. [6] In the late 18th century, the growing Romantic movement intensified interest in landscape painting, including winter landscapes. Practitioners included the German artist Caspar David Friedrich, who depicted remote and wild landscapes ...
By the 1960s, under the directorship of Marilyn Stokstad, the Museum of Art outgrew the space. In 1978, Helen Foresman Spencer, another female Kansas City collector, made a substantial gift to fund the construction of a new space, under the directorship of Charles C. Eldredge .