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Stress is a prominent feature of the English language, both at the level of the word (lexical stress) and at the level of the phrase or sentence (prosodic stress).Absence of stress on a syllable, or on a word in some cases, is frequently associated in English with vowel reduction – many such syllables are pronounced with a centralized vowel or with certain other vowels that are described as ...
The effect may be dependent on lexical stress (for example, the unstressed first syllable of the word photographer contains a schwa / f ə ˈ t ɒ ɡ r ə f ər /, whereas the stressed first syllable of photograph does not /ˈfoʊtəˌɡræf-ɡrɑːf/), or on prosodic stress (for example, the word of is pronounced with a schwa when it is ...
Ordinarily, in each such word there will be exactly one syllable with primary stress, possibly one syllable having secondary stress, and the remainder are unstressed (unusually-long words may have multiple syllables with secondary stress). For example, the word amazing has primary stress on the second syllable, while the first and third ...
The English word "trapeze" is an example of an iambic pair of syllables, since the word is made up of two syllables ("tra-peze") and is pronounced with the stress on the second syllable ("tra-PEZE", rather than "TRA-peze"). A line of iambic pentameter is made up of five such pairs of short/long, or unstressed/stressed, syllables.
If unstressed syllables are set on strong beats, the lyrical content sounds unnatural and suffers a loss of meaning. The unstressed syllables are placed on weak beats in order to embrace the most authentic meaning of the lyric. The Secondary stresses are placed on strong beats, but must maintain a secondary position relative to the primary ...
Cardinal vowel chart showing peripheral (white) and central (blue) vowel space, based on the chart in Collins & Mees (2003:227). Phonetic reduction most often involves a mid-centralization of the vowel, that is, a reduction in the amount of movement of the tongue in pronouncing the vowel, as with the characteristic change of many unstressed vowels at the ends of English words to something ...
Thus for Tarlinskaja, "syllable 10 in masculine endings can be stressed or unstressed". There remains a further logical possibility: an eleven-syllable line ending in two stressless syllables. In actual verse, such lines are rare at best; Tarlinskaya asserts: "syllable 10 in feminine endings is always stressed." [8]
Trochaic tetrameter in Macbeth. In poetic metre, a trochee (/ ˈ t r oʊ k iː /) is a metrical foot consisting of a stressed syllable followed by an unstressed one, in qualitative meter, as found in English, and in modern linguistics; or in quantitative meter, as found in Latin and Ancient Greek, a heavy syllable followed by a light one (also described as a long syllable followed by a short ...