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B'. (6:1–28) – Daniel in the lions' den; A'. (7:1–28) – A vision of four world kingdoms replaced by a fifth; The story of Daniel in the lions' den in chapter 6 is paired with the story of Shadrach, Meshach, and Abednego and the "fiery furnace" in Daniel 3. The parallels include the jealousy of non-Jews, an imperial edict requiring Jews ...
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Daniel in the Lions' Den Year c. 1614-1616 Medium oil paint, canvas Dimensions 224.2 cm (88.3 in) × 330.5 cm (130.1 in) Location National Gallery of Art Identifiers RKDimages ID: 28802 [edit on Wikidata] Daniel in the Lions' Den is a painting from around 1615 by the Flemish artist Peter Paul Rubens that is displayed in the National Gallery of Art in Washington, D.C. The painting depicts ...
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English: Daniel in the Lions' Den, by Briton Rivière. This version started out as a digital image that had the saturation increased digitally. Comparing to the version on the museum's website, the image was desaturated and cooled, to be closer to Briton's original.
Chapter 6: Daniel in the Lions's Den; Chapter 7: The Four Beasts; Chapter 8: The Ram, He-Goat and Horn; Chapter 9: The Seventy Weeks; Chapters 10–12: Daniel's final vision; Additions to Daniel: - Song of the Three Holy Children - Susanna and the Elders (Daniel 13) - Bel and the Dragon (Daniel 14)
B'. (6:1–28) – Daniel in the lions' den; A'. (7:1–28) – A vision of four world kingdoms replaced by a fifth; Daniel 1 serves as an introduction to the book, showing how God continues to move throughout history when men seem to have failed (i.e., how God stands for his people when they are in a foreign land and subject to an alien power ...
The so-called Daniel Stone. The Rosemarkie sculpture fragments are the Pictish slabs and stone fragments other than the main Rosemarkie Stone which have been discovered in Rosemarkie, on the Black Isle of Easter Ross. There are fourteen in all. The so-called Daniel Stone is thought to depict the Old Testament story of Daniel in the Lion's Den.