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Bronze sculptures used to be known for their durability, but a changing world environment has “imperiled outdoor bronze sculptures”. The St. Luke sculpture has taken on a lighter, almost blue and green color to it, likely from the copper that used to be used on the surface of bronze sculptures. [6]
The Resurrection (La Resurrezione) is a bronze and brass sculpture by Pericle Fazzini in the Paul VI Audience Hall in Rome. [1] Intended to capture the anguish of 20th century mankind living under the threat of nuclear war , La Resurrezione depicts Jesus rising from a nuclear crater in the Garden of Gethsemane .
The Basilica del Santo Crucifix is a 1444–1447 bronze sculpture by Donatello on the high altar of the Basilica of Saint Anthony of Padua in Padua. It measures 180 by 166 cm; his only monumental bronze on that scale prior to that date had been his 1423–1425 Saint Louis of Toulouse. The work was originally nude, with a textile loincloth ...
Sculpture Bronze (233 x 166 cm) 57 [70] Corpus: Art Gallery of Ontario, Toronto 1650 Sculpture Bronze Life-size 57 [70] Dead Christ on the Cross: Walters Art Museum, Baltimore 1657–1661 Sculpture Gilt bronze corpus on bronze cross Likely a later cast 57 [70] Decoration of Santa Maria del Popolo: Santa Maria del Popolo, Rome 1655 Sculpture ...
The bronze remains his most famous work, and was made for a secular context, commissioned by the Medici family. The iconography of the bronze David follows that of the marble David: a young hero stands with weapon in hand, the severed head of his enemy at his feet. Visually, however, this statue is startlingly different.
The Sala di Donatello of the Bargello in Florence, the museum with the largest and best collection of Donatello's work. The following catalog of works by the Florentine sculptor Donatello (born around 1386 in Florence; died on December 13, 1466, in Florence) is based on the monographs by H. W. Janson (1957), Ronald Lightbown (1980), and John Pope-Hennessy (1996), as well as the catalogs of the ...
Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the " Madonna and Child " or "Virgin and Child". They are not usually representations of the Nativity specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary ...
In addition to works of the same subject by other artists, Pontormo's own work from the time provides a useful comparison. The decoration in the dome of the Capponi chapel is now lost, but four roundels with the Evangelists still adorn the pendentives , which were painted by both Pontormo and his apprentice Bronzino .