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Further evidence to provide support of this idea comes with an examination of the science of optics during that time in Siena. In the time of Lorenzetti, the belief was that sight was not only the act of seeing, but of understanding as well. The word for vision meant both to see and the image that the mind created.
Ambrogio Lorenzetti (Italian pronunciation: [amˈbrɔːdʒo lorenˈtsetti]; c. 1290 – after 9 August 1348) [1] [2] was an Italian painter of the Sienese school. He was active from approximately 1317 to 1348. He painted The Allegory of Good and Bad Government in the Sala dei Nove (Salon of Nine or Council Room) in Siena's Palazzo Pubblico.
Siena, Museo dell'Opera del Duomo. Lorenzetti's last major work (1342) was a triptych altarpiece, the Birth of the Virgin, commissioned for Siena Cathedral. [30] This painting in tempera on panel, like many Sienese paintings of the time, celebrates the life of the Virgin, the city's patron saint. [31]
The Palazzo Pubblico (town hall) is a palace in Siena, Tuscany, central Italy. Construction began in 1297 to serve as the seat of the Republic of Siena's government, which consisted of the Podestà and Council of Nine, the elected officials who performed executive functions (and judicial ones in secular matters). [1]
Museo dell'Opera del Duomo, Siena The Nativity of the Virgin is a painting by the Italian late medieval painter Pietro Lorenzetti , dating from around 1335–1342, now housed in the Museo dell'Opera del Duomo of Siena , Italy.
The Museo dell'Opera del Duomo is an art museum in Siena, in Tuscany in central Italy. ... 221 and works by Ambrogio and Pietro Lorenzetti.
The Annunciation is a painting by the Italian late medieval painter Ambrogio Lorenzetti, signed and dated 1344, now housed in the Pinacoteca Nazionale of Siena.It was painted for the Ufficio della Gabella ("Office of the Tax") of the commune of Siena, as specified by two-line signature at the bottom (the painter named himself Ambruogio Lorenzi).
Simone Martini, Annunciation with St. Margaret and St. Ansanus, 1333. The Sienese school of painting flourished in Siena, Italy, between the 13th and 15th centuries.Its most important artists include Duccio, whose work shows Byzantine influence, his pupil Simone Martini, the brothers Pietro and Ambrogio Lorenzetti and Domenico and Taddeo di Bartolo, Sassetta, and Matteo di Giovanni.