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An example of Plato's considerations about poetry is: "For the authors of those great poems which we admire, do not attain to excellence through the rules of any art; but they utter their beautiful melodies of verse in a state of inspiration, and, as it were, possessed by a spirit not their own." [3]
However, Greek and Roman philosophers such as Aristotle [8] and Plato [9] engaged in the rhetorical debate of aesthetic perception and properties as a separate branch of philosophy in defining the parameters of art and beauty. [7] Ancient aesthetics shows the origin of aesthetic debate and influences modern aesthetic definitions. [4]
The earliest definition of aesthetic absolutism that can be found within Western philosophy arguably lies within Platonist philosophy and within the broader Platonic Academy. Within Plato's Symposium, [6] Diotima of Mantinea's definition of Beauty understands it as existing within itself through the Theory of Forms. The theory denotes the ...
Plato often invokes, particularly in his dialogues Phaedo, Republic and Phaedrus, poetic language to illustrate the mode in which the Forms are said to exist. Near the end of the Phaedo, for example, Plato describes the world of Forms as a pristine region of the physical universe located above the surface of the Earth (Phd. 109a–111c).
Plato's theory of Imitation only began to fade during the nineteenth century, where imitation began to fade from western aesthetics to theories of art being a form of expression and communication of ones emotions or aesthetic needs. [4]
Plato, whose influence on architecture is widely documented (e.g., 'idealism', 'neo-Platonic' architecture [1]), may be counted as part of a classical geometric model of cosmology, the popularity of which could be attributed to earlier thinkers such as Pythagoras.
Aesthetic Theory: Essential Texts is an anthology of the most important texts written on aesthetics and beauty since Plato till nowadays. It is edited by the theorist Mark Foster Gage who is tenured associate professor at the Yale University. The book is made up of twenty chapters each about an influential figure in the field of aesthetics.
Burke's concept of sublimity was an antithetical contrast to the classical conception of the aesthetic quality of beauty being the pleasurable experience that Plato described in several of his dialogues, e. g. Philebus, Ion, Hippias Major, and Symposium, and suggested that ugliness is an aesthetic quality in its capacity to instill intense ...