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Even animation that looked traditional was often created fully with computers, helped by for instance cel-shading techniques to replicate the desired look of traditional animation (true real-time cel-shading was first introduced in 2000 by Sega's Jet Set Radio for their Dreamcast console). By 2004, only small productions were still created with ...
The animation could be viewed through the slits of the spinning disc in front of a mirror. It was invented in November or December 1832 by the Belgian Joseph Plateau and almost simultaneously by the Austrian Simon von Stampfer. Plateau first published about his invention in January 1833.
John Whitney Sr. (1917–1995) was an American animator, composer and inventor, widely considered to be one of the fathers of computer animation. [1] In the 1940s and 1950s, he and his brother James created a series of experimental films made with a custom-built device based on old anti-aircraft analog computers (Kerrison Predictors) connected by servomechanisms to control the motion of lights ...
First CGI feature-length animation. Added to the United States National Film Registry in 2005. Cassiopeia: 1996 Second feature-length CGI animation and first CGI feature film not to use scanned models for heads. First Brazilian CGI feature animation. Produced and released by NDR Filmes. The Island of Dr. Moreau
First feature film completely produced with Disney's Computer Animation Production System: 1991: First animated film nominated for the Academy Award for Best Picture: Beauty and the Beast: As of 2023, no animated film has won the Best Picture Oscar yet. 1992 First animated feature to earn $500 million worldwide [11] Aladdin: 1993 CGI-animated ...
Traditional animation (also called cel animation or hand-drawn animation) is the process that was used for most animated films of the 20th century. [59] The individual frames of a traditionally animated film are photographs of drawings, first drawn on paper. [ 60 ]
The articles inspire the magic lantern performer Charles-Émile Reynaud to start developing his own animation device, the praxinoscope. He received a patent for his device in 1877. [42] [43] [55] 1877 – Charles-Émile Reynaud patented the praxinoscope, an animation device that improved on the zoetrope.
[210] [176] Floyd Norman, the studio's first black animator who worked closely with Disney during the 1950s and 1960s, said, "Not once did I observe a hint of the racist behavior Walt Disney was often accused of after his death. His treatment of people—and by this I mean all people—can only be called exemplary." [211]