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Blue Microphones’ first creation was the Baby Bottle, a professional XLR microphone used widely by musicians for recording. In the early 2000s, Blue's perspective pivoted to manufacture microphones for collaborating with other aspiring creatives online, synonymous with the needs of the developing consumer world of technology in the 1990s.
As with directional microphones, the polar pattern for an "omnidirectional" microphone is a function of frequency. The body of the microphone is not infinitely small and, as a consequence, it tends to get in its own way with respect to sounds arriving from the rear, causing a slight flattening of the polar response.
Situational circumstances: Sometimes a microphone should not be visible, or having a microphone nearby is not appropriate. In scenes for a movie the microphone may be held above, out of the picture frame. Processing: If the signal is destined to be heavily processed, or mixed down, a different type of input may be required.
A ribbon microphone, also known as a ribbon velocity microphone, is a type of microphone that uses a thin aluminum, duraluminum or nanofilm of electrically conductive ribbon placed between the poles of a magnet to produce a voltage by electromagnetic induction. Ribbon microphones are typically bidirectional, meaning that they pick up sounds ...
An electret microphone is a microphone whose diaphragm forms a capacitor (historically-termed a condenser) that incorporates an electret. The electret's permanent electric dipole provides a constant charge Q on the capacitor.
The microphone arm of headsets may carry an external microphone or be of the voice tube type. External microphone designs have the microphone housed in the front end of the microphone arm. Voicetube designs are also called internal microphone design, and have the microphone housed near the earpiece, with a tube carrying sound to the microphone.
The Soundfield microphone used to make Ambisonic recordings can be adjusted to mimic two microphones of any pattern at any angle to each other, including a Blumlein pair. In his early experiments at EMI with what he called "binaural" sound, Blumlein did not use this actual technique because he did not have access to figure-eight microphones ...
A Crown Audio brand PZM, the "Sound Grabber II". It is shown with adapters to enable it to be connected to different mixers and audio devices. The mic has an internal battery so that it can be used with consumer audio devices that do not supply phantom power. Boundary mics may have XLR or 1/4" TRS jacks. Some use mini-XLR or 1/8" TRS jacks.