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Later, jazz and blues were incorporated, although less completely, as Tin Pan Alley was oriented towards producing songs that amateur singers or small town bands could perform from printed music. In the 1910s and 1920s Tin Pan Alley published pop songs and dance numbers created in newly popular jazz and blues styles.
"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
"I'll See You in C-U-B-A" is a 1919 popular foxtrot Tin Pan Alley [1] song written by Irving Berlin, for the musical revue The Greenwich Village Follies. [2] [3] The Follies first opened on July 15, 1919. [2] The music features a simple rhythm and melody without direct Cuban musical influences. [1]
Ma Baby" is a Tin Pan Alley song written in 1899 by the songwriting team of Joseph E. Howard and Ida Emerson, known as "Howard and Emerson". [1] Its subject is a man who has a girlfriend he knows only through the telephone .
By 1926, Woods was an established songwriter on Tin Pan Alley and would become legendary with his new song "When the Red, Red Robin (Comes Bob, Bob, Bobbin' Along)". The song was an instant hit for singers such as "Whispering" Jack Smith and Cliff Edwards. It was Al Jolson, though, who had the most success with his recording of the song.
Writers of coon songs included some of the most important Tin Pan Alley composers, including Gus Edwards, Fred Fisher (who wrote the 1905 "If the Man in the Moon Were a Coon", which sold three million copies), [21] and Irving Berlin. [22] One of John Philip Sousa's assistants, Arthur Pryor, composed coon songs. [14]
Lazybones or "Lazy Bones" is a Tin Pan Alley song written in 1933, with lyrics by Johnny Mercer (1909-1976), and music by Hoagy Carmichael (1899-1981).. Mercer was from Savannah, Georgia, and resented the Tin Pan Alley attitude of rejecting Southern regional vernacular in favor of artificial Southern songs written by people who had never been to the South.
The song was published in 1909 and first performed on stage by Lillian Lorraine in the Ziegfeld Follies of 1909. It was one of a series of moon-related Tin Pan Alley songs of the era. The song was also used in the short-lived Broadway show Miss Innocence (September 27-October 9, 1909) when it was sung by Frances Farr. [1]