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Pelisse of the 18th century resembled a hooded cloak, whereas those of the early 19th century, as both a coat-like garment and a dress, were more fitted to the body, reflecting the Empire line of the period. [3] Pelisse could be made from any number of different fabrics, from lightweight cotton muslins to heavier woollens. [4]
Portrait of Thérésa Tallien by Jean-Bernard Duvivier (1806) with Empire waist Brooklyn Museum. Empire silhouette, Empire line, Empire waist or just Empire is a style in clothing in which the dress has a fitted bodice ending just below the bust, giving a high-waisted appearance, and a gathered skirt which is long and loosely fitting but skims the body rather than being supported by voluminous ...
The Empire silhouette was the key style in women's clothing during the Regency era. The dresses were usually light, long, and fit loosely, they were usually in white and often sheer from the ankle to just below the bodice which strongly emphasized thin hem and tied around the body.
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Byzantine dress changed considerably over the thousand years of the Empire, [1] but was essentially conservative. Popularly, Byzantine dress remained attached to its classical Greek roots with most changes and different styles being evidenced in the upper strata of Byzantine society always with a touch of the Hellenic environment.
Sarah Stanton Blake wears a frilled indoor cap trimmed with sheer ribbon and a high-necked chemise or chemisette under her black dress and scarlet shawl. Massachusetts, c. 1827. Dress of silk and cotton gauze, dyed chrome yellow and block printed with a chinoiserie pattern, Europe, c. 1827. Los Angeles County Museum of Art, M.2007.211.937.