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Koyaanisqatsi runs for 86 minutes and comprises a montage of visuals accompanied by a minimal music score, without narration or dialogue. It opens with an ancient cave painting, followed by a close-up of a rocket launch, while a deep bass voice chants the film's title.
Mandaar (Bengali: মন্দার) is an Indian Bengali-language crime thriller drama streaming television series created by Anirban Bhattacharya and Pratik Dutta. [3] A loose adaptation of Macbeth by William Shakespeare, [4] Bhattacharya makes his directorial debut on the OTT platform through this series. [5]
Pages in category "Hindi-language literature" The following 49 pages are in this category, out of 49 total. This list may not reflect recent changes. A. Alha-Khand;
A specialist on the subject, Sivaprasad Bhattacharya, considered Shringara-Prakasha as the most "detailed and provocative" discourse on rasa. [3] According to P.V. Kane, Shringara-Prakasha can be considered as an encyclopaedia of various branches in Sanskrit literature such as Darsanas, poetry, and dramaturgy, written extensively by quoting numerous works which existed in that period. [4]
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Vyangya means satire in Hindi literature. Vyangya writings includes the essence of sarcasm and humour in Hindi literature. Some of the better known writers in this genre are Harishankar Parsai, Sri Lal Sukla, K. P. Saxena, Gyan Chaturvedi, Suryakumar Pandey, Sharad Joshi, etc.
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Mahavir Prasad Dwivedi (15 May 1864 – 21 December 1938) was an Indian Hindi writer and editor. Adhunikkaal, or the Modern period of the Hindi literature, is divided into four phases, and he represents the second phase, known as the Dwivedi Yug (1893–1918) after him, which was preceded by the Bharatendu Yug (1868–1893), followed by the Chhayavad Yug (1918–1937) and the Contemporary ...