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From 1919 to 1921 Yon was substitute organist at the Vatican's Cappella Giulia. [2] On January 1, 1922 Pope Benedict XV appointed Yon 'Titular Organist' of the Vatican, a singular and unprecedented honor. The appointment put pressure on New York church authorities to promote Yon to a more-prestigious position. Yon became an American citizen in ...
Gesù bambino is an Italian Christmas carol composed by Pietro Yon in 1917. The melody was used by Frederick H. Martens in his English language carol "When Blossoms Flowered 'mid the Snows". The melody and lyrics of the chorus are derived from the chorus of "Adeste Fideles" (O Come All Ye Faithful).
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Anthony Velona and Remo Capra arranged English lyrics upon the original musical composition for a version entitled "O Bambino" (also known as "One Cold and Blessed Winter"). This version was recorded by several singers in the late 1960s, before the history of the song was widely known, and was partly incorporated into Sergio Franchi 's ...
The shorthand for the instrumentation of a symphony orchestra (and other similar ensembles) is used to outline which and how many instruments, especially wind instruments, are called for in a given piece of music.
The First Miracle of the Infant Jesus is a monologue by Dario Fo, recipient of the 1997 Nobel Prize in Literature.. It was originally published in Italian language as Il primo miracolo di Gesù Bambino in 1977, together with "The Tale of a Tiger" [Storia della tigre], "Dedalo e Icaro" [Daedalus and Icarus] and "Il sacrificio di Isacco" [Isaac's Sacrifice] in the collection Storia della tigre e ...
Franz Liszt, after an 1856 painting by Wilhelm von Kaulbach. This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.. These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions.
The Beatitudes for 4-part treble voices (1966) Let us with a gladsome mind for mixed choir and organ (1967) Communion Service for choir and congregation (1968) Sacred Songs for Treble Voices (3rd set) for boys' choir and organ (1969) The History of the Flood to 6 voices and to a poem by John Heath-Stubbs (1971)